From SimonG: "The Witch of the Westmorland" - Two 28mm Vignettes (75 points)

After a few week's absence from posting I am finally back with my centrepiece for this challenge, a pair of 28mm vignettes based on the song "The Witch of the Westmorland"(1). 

This song made a great impression on me the first time I heard it off Kate Rusby's 2016 album "Life in a Paper Boat". It is highly evocative of time (I'd say 500-600CE), and place -- Rheged, what is now Cumbria and the Lake District. 

Having spent several months selecting and sourcing miniatures I created two vignettes on live edge Yew plinths. I've included two short videos so you can get a sense of the full vignette in each case.

The male mounted and dismounted figures are Victrix late Roman unarmoured cavalry and Romano British infantry, with some kit bashing to match the heads and arms and add the bandaging. The female figures are both 3D prints from the designer M3DM, her Goddess of Virtue and her Druid Centaur. The hounds are from CheckPoint Miniatures and the hawk is from Reaper.

For a closer look at these pieces it makes sense to follow the song. 

"Pale was the wounded night that bore the Roman Shield" (2)

Don't look too closely as the leatherwork and boots on the two figures are different!

"Turn, turn your stallions head til his red mane flies in the wind"

Red is strictly speaking not a particularly realistic horse mane colour and usually is sun bleaching on a chestnut or sorrel, anyway I had fun trying to get this effect but it's hard to photograph as the bright light masks the shades!

"And he said, lie down my brindled hound and rest ye my good grey hawk"

Brindling isn't too hard to replicate, not sure if wolfhounds can be brindled however, usually applies to a shorter haired breed I think. As there are no grey hawks specifically native to the UK (as far as I am aware) I chose to make this one a peregrine falcon -- that's quite a bird to have at your beck and call!

"And it's down to the water's brim he'd borne the Roman shield"

Modelling water is where most of the effort in this job has been, and I've still got a lot to learn. I did like sourcing a bunch of neat photo etched reeds and some lovely paper water flowers. The main water is done using Aqua Magic which I discovered doesn't like to set when constrained as I had to do using a jerry rigged dam as shown in the picture above. I also hoped to get some good reflections off the water surface but didn't realise that this would need a darker shade underneath than the light stones I selected -- oh well, lessons learned.

"And wet rose she from the lake and fast and fleet went she.

One half the form of a maiden fair and a jet black mare's body"

Lucky to have found that M3DM sculpt -- it's exactly as the source for the song suggests -- tales of antlered women with bodies of deer, perhaps based on sightings of red deer in the lakes. There is an inordinate amount of fine detail on these figures including one braid which had snapped, I patched in a spare from the back up figure I purchased and it's at least something (it's her left side braid). I also only discovered in photographing the figure that's she's wearing more of a bra top than a vest -- at least my styling keeps her respectable!

"For I see by the briny blood that flows you're wounded in the field"

Basic green stuff bandage and some subtle blood work!

"She stood in a gown of velvet blue bound round with a silver chain"

One of the best sculpted female faces I've seen, albeit a rather static pose, but  being from the same designer the look of both faces is similar. For hair I tried for a Yffing (3) chestnut :-) There's some wonderful fine hair detail about the face that was a pleasure to paint.

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So hopefully by now you've had a chance to listen to the song and follow along with the models. I certainly had fun planning and executing this project and I hope the results do justice to the source material

For points I am claiming two mounted 28mm figures (20 points), two foot (10 points) and four creatures (20 points) plus a 20 point bonus for love in paradise -- the song does after all say that "she's kissed his pale lips once and twice and three times round again" -- I think that's a worshipful, healing sort of kiss as befits paradise! I also relied on the female centaur druid to fly us straight to the third sphere! So with that bonus, if permitted, i get my hard earned 70 points!

Hopefully you enjoy these pieces as much as I do. Now what shall I plan next?

(1) The song is by Archie Fisher from 1976, it's been covered by many others, there are quite a few variants on the words but I'm using Kate's version, and even that has differences in what folks claim to hear!

(2) One of the specific differences being that the original and most versions sing "Rowan Shield". I've got problems with this. Why make a shield of Rowan, it is very hard and lighter than oak but not as common and I've not found evidence of this as a shield material. Or why have a Rowan sigil on your shield? Kate's singing "Roman shield"(i.e. a shield in the style of or dating to Romano-British times) makes perfect sense to me and that is how I modelled it (although an infantry shield when mounted is a little impractical!)

(3) This is of course a reference to Nicola Griffith's Menewood, which I cannot recommend too highly, although an interest in the specific details of seventh century life and warfare is a pre-requisite!

TeemuL: I'm not sure what all this is, this entry is just staggering! May be it is the flu or the excellent entry, all the backstory, sourcing the minis, but I feel a bit light headed... I guess it is better, if you just read, watch and listen, my words are unnecessary. :) Take 5 bonus points for the dioramas!