A stone’s throw from Hawkin’s Hill is the crooked declivity
of Cooke’s Crevasse, where a small village sits, frequently rocked to sleep by
the sporadic landslides and rockfalls from the cliffs that lean above it. Some
buildings line the valley floor, but others, a little bolder, perch on the
cliff-face itself.
Today they’re having some sort of festival or rock concert –
I’m afraid I’m igneous of the nature of the celebration – they seem to celebrate rock around the clock, loud music perpetually threatening to make
everyone stone deaf. In my view, they should leave no turn unstoned. Meanwhile,
not a single villager is stone cold sober, with more than a couple sprawled on
the sidewalk, completely stoned.
For some reason the centre-point of the festival seems to be
total bullocks, as they’re pulling this elaborately decorated wagon.
Behind it
is a massive great gun, which looks so old it was probably the source of the
original Big Bang.
Unfortunately my latest sergeant, Cliff, does not realise
the gun is of purely ceremonial importance. In a slightly inebriated haze he
lifts one of the mighty stones nearby and proceeds to load it into the gun. Then, failing to stand
well back, he lights the blue touchpaper. With a roar the size of a politician’s
ego, the great stone ball shoots out to hit the great stone wall of the crevasse.
There’s a landslide-like rumbling which is not, for a change, the sergeant’s
stomach, and a headache of rocks tumble down.
In a few moments my sergeant becomes not only
Cliff in name but very much in appearance, too.
---
In 1853 John Ruskin, artist and art critic, published “The
Stones of Venice” a three volume treatise on the architecture of Venice which
became a significant stimulus to the movement for preserving Venetian
buildings. With sea levels rising, this is of particular concern once again.
Here are my Stones of Venice.
When I was an adolescent, in the early nineteenth century, I’d
often walk along Longwall Street in Oxford. It’s one of those picturesque
places which feature in TV detective programmes set in the city, such as Inspector
Morse, and a nice long walk which pretty much guaranteed I could be late for Morning Assembly. Along that street are a series of buildings painted in
pastel colours. I used to wonder who lived there (probably rich Dons) and
whether I might grow up to live in such unusual buildings (I didn’t grow up, so
I’ve never lived in such a place).
When I bought TT Games Venetian buildings my research into suitable colours reminded me
of those childhood walks. Many of the characterful buildings of the Burano district of
Venice are painted in distinctive and varied bright or pastel colours, so
that’s what I’ve plumped for. I’ve no idea how accurate this might be for the
Renaissance.
These pieces are part of my rather erratic inroads into the
Italian Wars. I’d been contemplating the period for some while, working on odd
pieces here and there, but largely sporadic, but became particularly keen on it
after Yarkshire Gamer’s beautiful work last year.
I began the Carrochio several years ago, but I assembled it
badly, gluing the banner pole the wrong way round, and breaking one of the
wheels so after a little desultory painting, I gave it up. Similarly, I painted
the bombard from the Perrys’ kit, but failed to assemble or paint the mantlet
or the crew. So this year I decided to rebegin these pieces. I repainted the
carrochio from scratch:
And I built and painted the elaborate mantlet, together with another bombard to use with it, slightly smaller than the original, but
perfectly fine.
Scoring is a bit complicated, I guess. Each of the three buildings
and the bridge are based on a nominal 3” x 6” x 3” block, but they’re all a
little bigger than that in all three dimensions. An earlier post this year awarded
the tall building paired with the bridge together 20 points. So I’d suggest:
28mm Carrochio: 4 bullocks: 20; wagon: 10; 3 devotees: 15; flags:
1 – Total 46
28mm Bombard: 1 gun: 10; mantlet: 10; 4 crew: 20 – Total 40
28mm Buildings and bridge: about 1.6 cubes, so 32 points
TOTAL: 118 points
***
You are right that this is a rather eclectic submission with bits and pieces, but they are all really good!
You also forgot to add your 30 points for the map location, so you score has been rounded up to 150 points.
As for the figures themselves, they are great with all the bright colours, as are the buildings which are simple but very effective and will really make the tabletop look alive! Awesome work!
- ByronM
Edited by TamsinP - the location bonus points were added by mistake (this is Noel's 2nd visit to the location) and have now been removed.
Great stuff Noel! :)
ReplyDelete@ Byron - he's revisiting the location as part of his reverse-ferret trip retracing his route, so shouldn't have the location points as this is his second visit.
Thanks, Tamsin.
DeleteWill try to forestall this potential problem on all remaining visits.
Great brushwork Noel! I've always liked that Perry wagon and siege bombard - good on you for revisiting and getting them done nice and proper.
ReplyDeleteThanks, Curt. Yes, they're both very nice models - even when building them wrongly!
DeleteNoel, this is a proper expedition you are going on. I am amazingly impressed. Love the cart thingy
ReplyDeleteThe end is nigh now. Just half a dozen more locations to tick off...
DeleteLovely looking Venetian buildings, I still haven't finished mine,the Carrachio is excellent as is the bombard and mantle!
ReplyDeleteBest Iain
Thanks, Iain. I've the tower to work on next, I think - that's a massive building which I'm not looking forward to at all!
DeleteGreat work Noel. Love the Caro however it’s spelt. I want one myself but not sure how to work it into an army! I’ve done that bridge earlier this challenge, quite pleased with TTCs stuff.
ReplyDeleteColourful interpretation of "Rocks" Noel, I must be fast on your heels as I will enter the Crevasse (who'd thought I'd say something like that in the Challenge ever?) tomorrow!
ReplyDeleteVery nice little collection!
ReplyDelete